The following projects represent distinct cultural production systems I have designed, coordinated, or operated within. Each reflects a different scale of logistical and editorial complexity.
VOID — Cultural Publication / 30th Anniversary Magazine
VOID is a 212 page cultural publication developed as part of a 30th anniversary institutional program at Three Jewels Studio.
I worked across art direction and production to help structure the magazine as both editorial object and institutional cultural artifact. This included coordinating visual direction, production workflows, and communication between contributors and institutional stakeholders.
VOID functioned as a hybrid publishing and programming structure—bridging editorial production with institutional cultural output.
THE CUT — Editorial Production Systems (New York Magazine)
At The Cut, I worked within fast-moving editorial environments managing production schedules across editors, photographers, and creative teams.
My role centered on coordinating end-to-end workflows: scheduling shoots, managing vendors, tracking deliverables, and ensuring timely execution across overlapping editorial pipelines.
This work required sustained attention to production systems under high editorial volume, where clarity, sequencing, and coordination directly shaped output.
EXPERIMENTAL PERFORMANCE PRACTICE — Independent Theatre Work
I founded and directed an experimental theatre company focused on devised and interdisciplinary performance work.
Across full production cycles, I managed rehearsal scheduling, artist communication, venue coordination, and performance logistics for work presented in New York and international contexts.
This practice required building production structure from the ground up and maintaining operational clarity across shifting artistic processes.
